国际当代艺术杂志【展览 Exhibitions】

展览主题：《三点》韩国艺术家作品展

参展艺术家：Sangsun Lee, Hyokab Na, Heesub Park

招待酒会：2008年10月12日 3pm - 6pm

展览时间：2008年10月4日- 10月29日

开放时间：周二至周日 10am - 4pm

展览地点：纽约艺术空间·北京（朝阳区何各庄318艺术园，944路何各庄西口站下车）

Reception: 3 pm- 6 pm, October 12, 2008

Exhibition Dates: October 4-30,2008

Opening Hours: 10am - 4pm (Tuesday-Sunday)

Location: NY Arts Beijing Space (318 Art Garden Hegezhuang Chaoyang District Beijing)

展览前言：

这三个小点意为三位韩国画家在游历了浩瀚生活之后偶然聚合的一个瞬间，这种聚合展现了他们对我们这个世界的各自不同的理解，以及独特的情感和他们传递的闪动的思想。如果一个艺术家对自己的生存空间是有感觉的，那么他的每一种构思和作品的安排都会给人留下许多......

Sangsun Lee

真正重要的是轮廓，因为它定义了人物的形态并且能够把人物和背景区分开来。此外，简化的颜色区域也是很重要的特征。阴影几乎不可见或被故意的排除。在我们的日常生活中，阴影却是随处可见的，除非一些非常激烈的主观意识让我们丢掉了现实的感觉。但是，Sangsun Lee的人物，在大多数的情况下缺乏阴影的呈现，使得其思想的表现既不愉悦也不忧愁。不管是否他故意，他的画布中会在特定条件下出现的一个十字的区间，看上去显得有些令人不安并且让人感到有些失重的感觉。尽管画中有红黄蓝三原色，但是中性的颜色占据画的多数位置。他的人物以一种惯用的姿态来代表其交流的特定情形。人物的表情也和其内在的思绪一样并不清晰可辨。画中人物是典型的韩国人，他们以其韩国人特有的表情漫不经心的环视四周。

Hyokab Na

对他来讲，人的自由意志与神的绝对意志相遇而产生的所有的生命的奥秘，都毫无例外地成为艺术家亘古不变的好奇心所要探求的对象，或是激情的抒发。

当他能发掘出那奥秘并对其加以表现，他便欣喜若狂。那种神秘既熟悉普通，又是那样高深莫测，遥不可及。他的画作同时表现了日常生活同时又高于生活。在风格上，纳先生的绘画具有表现主义的特点。"表现主义"的英文词仅从字面就让我们感觉到那前突的挥动笔触的力量和瞬间压力的释放。想到他对任何事物都愿意去切身体会，也就难怪他会钟情于表现主义的所带来的能量了。

Heesub Park

帕克用薄薄的，或长或短的珍珠贝壳在画布上呈现了一幅又一幅景致。他按自己的构想去创作，但往往是按一种杂乱无章，即兴的方式进行着。由于所使用的材料富有装饰性但在色泽和质地上都极不易人为的改变，帕克尝试用一种好似画笔在画布上产生的那种流畅感觉去处理它。帕克的风景画远看好似原色区域色调基础上绘成的树景，近观恰似人的脊椎或是五脏。靠在色彩空间致密地摆放珍珠贝，帕克为我们展现天地之间的一草一木。东方观念中人与自然息息相关，被认为是大宇宙与小宇宙的关系，而非西方所认为的整体与局部的关系。

Sangsun Lee

What's emphasized are outlines, which defines the shape of figures and divides between the figure and the background, and the simplified color-fields are also characteristic. Shadows appear hardly or deliberately excluded. In everyday life we don't experience the total absence of shadows unless some intense subjective state of mind lost us the sense of the real. Figures of Sangsun Lee, however, lack their shadows in very ordinary atmosphere, with not so much gay nor somber mood. Whether he intended or not, his canvases show a cross section of a certain condition, which looks very plain and even weightless. There neutral colors are dominant, sometimes primary colors appear though. And his figures represent a particular situation of communication with idiomatic gestures. Their expressions are also as vague as their inner state. With these standard expressions and looks of Koreans, figures are looking out from the canvas unconcernedly.

Hyokab Na

To him, all the mysteries of life which are created when man's free will meets God's absolute will can not help being objects of permanent artistic curiosity as well as wellsprings of passion.

He feels ecstasy when he digs out the mystery and expresses it. The mystery is simultaneously very familiar and routine and aloof and detached. He put both the daily and the aloof together in his paintings.

In style, Mr. Na's paintings are very expressionistic. In the word 'Expressionism', we feel the existence of the power of outward (ex-) movement, or eruption (press). In considering that he likes to experience everything for himself, it is quite natural that he prefers expressionistic energy.

Heesub Park

Park renders a landscape one by one by putting thin, long or short mother of pearls on the canvas. Park initially starts his work as he conceived, but sometimes does it in a haphazard and impromptu manner. Since the material he adopts is subject to remain extremely rigid or ornamental, Park intends to deal with it with a free-flowing sensibility, as if drawing on a canvas with the brushes.

Park Hee-sup's landscape seems like a scene of trees portrayed on the area of primary colors but, upon closer examination, it looks like the spine or five viscera of our body. By placing continuously mother of pearls on the empty space of the color area, Park creates the collective scenes of the woods, heaven and earth. The relation of man with nature in the East, closely associated with each other, is thought to be as a macrocosm or a microcosm, rather than that of whole and part in the West.

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